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    “Untitled Exhibit” (c)2016



    Peter Nakhid,  photographer



    Publisher’s Exhibition Message:


    As a continuation of part one of his work presented in the spring 2015 issue, Peter Nakhid further explores his keen ability to find the human element and poignancy inherent in the ongoing legacy of people of African descent.  Nakhid’s astute eye for color, movement, and theme enables him to capture the relevance, vitality, and cultural significance of festivities that are contextual reminders of centuries of wisdom and perseverance passed down from one generation to the next.  He is not simply a documentarian though that is one of the things that he does well, and that talent has earned him international recognition.  Peter’s Caribbean background and life in the dynamic cross-cultural melting pot of New Orleans has immersed him into a vortex of creativity and expression that he captures with a camera only after his eye recognizes the significance of the moment.  His “untitled” exhibition articulates and visualizes passion, emotion, and the subtle intricacies of telling a story without words.  


    Click on the image below to view exhibit



    About The Artist


    Peter Nakhid

    Peter Nakhid, as you may know, has been awarded “Griot” status in New Orleans for documenting from a photographic perspective the legacy of people of African descent in the Diaspora.  Born in the Republic of Trinidad and Tobago; married with two adult daughters, Giselle and Zynani, Peter graduated in 1995 from Loyola University with a Masters degree in Pastoral Studies.  In association with Dr. Morris Jeff, Peter helped establish a school in Kibi, Ghana, and along with Father Al McKnight, set up an elementary school, a university, an orphanage, a guest house, and a bakery in Fondwa , Haiti .  A long-time member of the Professional Photographers of America, Mr. Nakhid has worked as a professional photographer for 30 years.  For the past 20 years, his company, Captured Moments, has operated in the New Orleans, Louisiana region, as well as the southern part of the U.S.  He has travelled extensively throughout Africa, the Caribbean, and the Pacific documenting special events.  In May 2015, Peter traveled to the Bahamas to photograph the first inaugural Junkanoo Carnival in Nassau on Paradise Island.  Interestingly, before New Orleans was rampaged by hurricane Katrina, he consistently maintained three jobs; after Katrina, Peter primarily focused on teaching and photography. Currently, he coordinates a group called Fathers’ Time, which initially started as a support group to address the needs of young teenage fathers.  This program has transformed into a multi-generational group of men and boys that deals with immediate needs, community development, and self-improvement.  Participating with the Fatherhood Initiative at Loyola University, Peter and others created a traveling exhibit displaying positive images of black males with their children.  His current exhibition in aaduna’s spring 2016 issue is part two of a series that once again vividly captures his appreciation for the people of the Diaspora.